The King and I

Performance Dates: 

TBD

Rearview Vegas Entertainment

Cast

TBD

Summary: 

It is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a “barbarian” by those in the West, and he seeks Anna’s assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and respect one another in a truly unique love story

Song List: 

  • Overture
  • For God’s Sake, John Sit Down!
  • Piddle, Twiddle And Resolve
  • Till Then
  • The Lees Of Old Virginia
  • But, Mr. Adams
  • Yours, Yours, Yours
  • He Plays The Violin
  • Cool, Cool Considerate Men
  • Momma Look Sharp
  • The Egg
  • Molasses To Rum
  • Compliments
  • Is Anybody There?

Show History: 

The King and I opened on Broadway on March 29, 1951, starring Gertrude Lawrence and Yul Brynner. The show proceeded to run for three years, racking up 1,246 performances. It received five Tony Awards, including Best Musical, and honors for both of its stars. Valerie Hobson and Herbert Lom starred in the original London production, and the musical scored great successes in Australia, Japan, and throughout Europe—from Le Roi Et Moi in Brussels to Der Konig Und Ich in Berlin.

In 1956, Twentieth Century Fox released the motion picture version of The King and I with Deborah Kerr as Anna (with her musical voice provided by Marni Nixon) and Yul Brynner recreating his role as The King. An immediate success, The King and I became the second-highest grossing film of the year and was also critically acclaimed; nominated for nine Academy Awards, it received five, including the Best Actor Award to Brynner.

Over the course of 34 years, Yul Brynner played The King more than 4,600 times; first on stage, then on the big screen and then on television (co-starring with Samantha Eggar in the short-lived series, Anna and the King in the early ’70s). He brought The King and I back to Broadway for two separate, triumphant engagements; the latter, the culmination of his farewell tour as The King, was presented in 1985, the final year of his life. At the conclusion of that run Mr. Brynner received a special Tony Award for his achievements.

A Broadway revival opened at the Neil Simon Theatre on April 11, 1996, starring Tony Award winner Donna Murphy as Anna and film star Lou Diamond Phillips as The King. Hailed by the critics and public alike, The King and I swept the triple crown of Broadway honors that spring, winning the Tony Award, Drama Desk Award and Outer Critics’ Circle Awards for Best Musical Revival.

In 2015, Lincoln Center Theater presented a Broadway revival starring Kelli O’Hara, Ken Watanabe and Ruthie Ann Miles. Directed by Bartlett Sher, the show was a critical smash, earning nine Tony nominations and winning four, including Best Revival of a Musical.

Awards: 

Outer Critics Circle Award

1969Best Composer / Lyricist, Winner (Sherman Edwards)

Tony® Award

1969Best Performance By A Featured Actor In A Musical, Winner (Ronald Holgate)
1969Best Performance By A Featured Actress In A Musical, Nominee (Virginia Vestoff)
1969Director Of A Musical Play, Winner (Peter Hunt)
1969Best Direction Of A Musical, Winner (Peter Hunt)
1969Musical Play, Winner (Peter Stone (book), Sherman Edwards (music and lyrics), Stuart Ostrow (producer))
1969Best Scenic Design, Nominee (Jo Mielziner)
1969Scenic Design, Nominee (Jo Mielziner)
1969Supporting Actor In A Musical Play, Winner (Ronald Holgate)
1969Supporting Actor In A Musical Play, Nominee (William Daniels (His name was removed from the ballot prior to voting at his request))
1969Supporting Actress In A Musical Play, Nominee (Virginia Vestoff)
1998Director (Musical), Nominee (Scott Ellis)
1998Revival (Musical), Nominee (Roundabout Theatre Company, Todd Haimes, Ellen Richard, James M. Nederlander, Stewart F. Lane, Rodger Hess, Bill Haber, Robert Halmi, Jr., Dodger Endemol Theatricals, Hallmark Entertainment(producers))
1998Best Revival Of A Musical, Nominee (1776)
1998Best Featured Actor in a Musical, Nominee (Gregg Edelman)
1998Best Direction Of A Musical, Nominee (Scott Ellis)
1998Actor In A Featured Role (Musical), Nominee (Gregg Edelman)

NY Drama Critics Circle Award

1969Best Musical, Winner (1776)

Theater World Award

1969Theater World Award, Winner (Ken Howard)

Drama Desk Award

1969Outstanding Book of a Musical, Winner (Peter Stone)
1969Outstanding Costume Design, Winner (Patricia Zipprodt)
1998Outstanding Actor in a Musical, Nominee (Brent Spiner)
1998Outstanding Featured Actor in a Musical, Winner (Gregg Edelman)
1998Outstanding Revival of a Musical, Nominee ()
1998Best Featured Actor in a Musical, Winner (Gregg Edelman)

Show Synopsis

Act I

In 1862, Welsh-born widow Anna Leonowens and her young son Louis arrive by ship in Bangkok, Siam (now known as Thailand), where she has been engaged by King Mongkut to be schoolmistress to the royal children. The crowded port and the approach of the imposing Kralahome (Prime Minister) frighten Louis (“I Whistle A Happy Tune”).

In his throne room, with his many wives in attendance, the King of Siam, welcomes Lun Tha, a Burmese scholar sent to study the design of Buddhist temples. Lun Tha presents the King with a gift: the beautiful, independent-minded young Tuptim, who speaks and reads English. She has been sent to join the King’s wives, all of whom live in the Royal Palace. Though she is promised to the King, Tuptim is in love with Lun Tha (“My Lord and Master”).

After being detained in the Palace by the Kralahome, Anna finally meets the King. She reminds him of his promise to give her a house of her own. The King denies any memory of such an agreement, frustrating the strong-willed Anna.

The King introduces Anna to his head wife, Lady Thiang, who also speaks English. Tuptim asks Anna if she has any books in English which she may read, in particular Uncle Tom’s Cabin by Harriet Beecher Stowe, a book about the evils of slavery in America. The wives are most curious about Anna’s western clothing and background. Anna talks of her son and her love for her late husband, Tom (“Hello, Young Lovers”).

The children of the King’s most favored wives, including the heir to the throne Prince Chulalongkorn, greet Anna (“The March of the Siamese Children”) who is charmed and agrees to begin teaching them despite the King’s declaration that she must live in the Palace.

The King, troubled by the encroachment of Western imperialism on neighboring countries, fears that Siam will be overtaken. He begins to question his traditional thinking (“A Puzzlement”).

A year later, Anna continues to teach (“The Royal Bangkok Academy”); the children and their mothers have impressed and delighted her (“Getting to Know You”). During a geography lesson, the children are reluctant to believe some of Anna’s new ideas. The King enters and vehemently defends Anna’s teachings. Anna takes the opportunity to remind the King about his promise to give her a house of her own. They quarrel, as do Louis and Chulalongkorn, and Anna decides to leave Siam.

Anna’s impending departure greatly upsets Tuptim and Lun Tha, who have been meeting furtively, with Anna as a chaperone (“We Kiss in a Shadow”). Their rendezvous is secretly observed by Lady Thiang.

While Louis packs to leave, he and Chulalongkorn muse about their lack of understanding of the adults’ behavior (“A Puzzlement” Reprise). Later that night, Anna vents about the King’s stubbornness and the subservience he expects from his subjects (“Shall I Tell You What I Think of You?”).

Lady Thiang asks Anna to help the King; he is troubled by the approaching visit of British emissaries who view him as a barbarian. He needs Anna’s advice, but tradition and pride forbid him to ask for it. Anna is reluctant to help the King, but Lady Thiang convinces her to go (“Something Wonderful”).

The King, with Anna’s shrewdly worded help, decides to entertain the British dignitaries with a European-style dinner and dance, as well as a theatrical presentation of a play written by Tuptim, inspired by Uncle Tom’s Cabin. When the British arrive earlier than expected, the King calls upon everyone to quickly ready themselves. In a prayer to Buddha, the King resolves to give Anna the house she has long requested.


Act II

The wives prepare to wear the uncomfortable European dresses and shoes Anna has instructed them to create for the dinner and performance (“Western People Funny”).

As the dinner takes place, Tuptim sneaks away to meet Lun Tha, who reveals that he has been ordered to return to Burma immediately. They plan to run away together after Tuptim’s performance (“I Have Dreamed”).

In the theater pavilion, Tuptim and the royal dancers and singers present a Siamese version of Harriet Beecher Stowe’s book (“The Small House of Uncle Thomas”). During the presentation, an emboldened Tuptim confronts the King about slavery but he quickly puts her back in her place. Afterwards, she disappears to meet Lun Tha.

Aside from the outburst from Tuptim, the King and Anna revel in the success of the evening. The British no longer view the King as a barbarian. Anna and the King begin to share their thoughts about relationships between men and women (“Song of the King”). The King expresses a curiosity in Western-style dancing and Anna and the King dance an exuberant polka together (“Shall We Dance?”).

The Kralahome interrupts with news that Tuptim has been found. She is brought in and the King prepares to whip her. Anna, begging him not to punish her this way, calls the King a barbarian. Unable to proceed, the King exits. When Lun Tha is found dead, Anna is devastated and vows to leave Siam.

Over the next few months, the King’s health begins to decline. As Anna and Louis prepare to leave, Lady Thiang brings Anna a letter from the King, who is close to death.

Anna arrives in the King’s study, where the wives, children and priests are holding vigil over the dying King. The King asks Anna to teach the children to be brave and Anna decides to stay. As the King dies, Prince Chulalonkorn proclaims a new vision for Siam, inspired by Anna’s teachings. The Kralahome, Lady Thiang and Anna kneel by the great King’s side, paying their last respects (“Finale Ultimo”).